Wrong artwork for podcast - does anyone know a fix?

Some of the podcasts show up in my iPhone with the wrong picture. For a long time I thought I did something wrong, but some internet research shows that many more people complain about media files that have the proper artwork in iTunes on the PC are synched on a device with the wrong artwork. I checked my iPad and the same problem occurs there.

Take for example this episode from the Talking History podcast as it shows in the player on my PC (screenshot on the left - correct) and on my iPhone and iPad with the artwork of a totally other podcast (screenshot to the right). As a matter of fact, when you look more closely, more than just the picture is messed up. It seems that more mp3 labels are not exactly in place.

Does anybody else have this problem? Did you manage to solve it? I would love to hear about it and many more with me as the internet is full of complaints about this but few suggestions to solutions.

History of Oil - resurrected from podfade

We have gone through this history in quite a number of podcasts: Sarajevo 1914, Pearl Harbor 1941 and even the fall of Mossadegh 1953, haven't we? How is it that I was glued to my iPod with these narratives all over again? I was listening to A History of Oil an amateur podcast by Peter Doran. (feed). I wrote this review in 2013 and for a long time this podcast seemed to have finished, but it came back from hiatus and promises to keep on from where it left off. All I wrote in 2013 is worth repeating.

Any new history podcast should reveal a fact about history that was not that clear until now. A History of Oil does that even where you hardly expect to be surprised. Take for instance Operation Barbarossa, the Nazi Invasion of the Soviet Union in 1941. We already knew the Germans over-stretched themselves. We knew they had fuel shortages. We knew they had to capture the oil fields on the Caspian Sea around Baku and failed to do so. We knew that no matter how long they could hold out in Soviet territory, this was a turning point in the Second World War, but still A History of Oil's perspective gives something new.

A History of Oil effectively starts in the middle of the nineteenth century when crude oil began to enter the markets as a commodity and before long we approach the First World War. The British are the first to let their navy switch from coal to oil, but others are soon to follow, so that we are more than normally aware how oil has become a vital strategic resource by the time the Second World War comes around. Then, in 1941, as the Nazis invade the Soviet Union and have one success after another, oil became a problem. The Germans had used many times more fuel than planned. In fact operation Barbarossa rapidly depleted the oil reserves and no source was at hand that could meet the increased demand. So, if we thought that the defeat at Stalingrad was the turning point, A History of Oil, makes it clear that the defeat was inherent. Not a radically new point, but still a new support for the thesis that Barbarossa was a decisive Nazi mistake from the get go.

This is only one example of what the slightly altered perspective of A History of Oil brings to familiar data. Another refreshing experience is to go through the era not by means of national histories, but by means of the history of corporations; Standard Oil, Royal Dutch, Shell, British Petroleum and so on. It makes John D. Rockefeller more prominent than Theodore Roosevelt. It makes the Japanese invasion of Borneo more prominent than their attack on Pearl Harbor. It places Mexico, Venezuela and Indonesia in the center of attention what rarely happens and so on.

In short, A History of Oil is a remarkable enrichment to the library of history podcasts and highly recommended listening.

The History of Islam podcast

The most essential history podcast right now must be The History of Islam podcast (feed) by Elias Belhaddad. Current affairs have a very palpable presence of Islam and much of the history since the rise of Islam (and it rose at lightning speed) has a strong presence of Islam. Yet most historiography (and podcasts as well) can only offer the perspective from without. Yet, as we are in crisis with Islam (and maybe we always were) it seems without a doubt extremely important to acquire understanding of Islam. I certainly feel that way.

Elias Belhaddad clearly has set this as a goal: to inform about Islam and convey its perspective to his audience. The consequence of this is that while we have proceeded 14 episodes into the series, we have only just now arrived at Muhammad and he is about to leave for Medina. Belhaddad has deliberately spent most of his time until this point in laying out the groundwork for what he sees is indispensable for understanding the world and people from which Muhammad and Islam came about.

He has invested in explaining the environment of the Arabian Penninsula and how the harsh nature designates the mentality and life style of the Arab peoples. Then he has gone through great lengths laying out the history of the Quraysh clan, how they came to control Mecca and from there on along the lineage down till Muhammad.

He is clearly passionate about the subject, he has great admiration for the Arab people (though not without criticism), he knows his Arabic and personally I assume he is a Muslim, although he has not divulged any such details about himself which is his full right of course.

Hence this is a podcast of great relevance, done with passion and with much purpose. In addition his audio is good and his delivery is much to my liking. Nevertheless I keep wondering with each and every episode: why is this important? What is the take away message? I am sure Elias has a clear idea where he wants to go, and why he narrates the way he does, but he reveals very little of it. Maybe he feels this keeping of the cards to his chest is an advantage, but I wager, the podcast would gain in depth if he were to be transparent on his decisions of what to put in, what to leave out and what it is he wants to make clear in particular.

The History of Denmark podcast

Søren Krarup is an 18 year old Danish high school student who is about to take his final exams and as a result there will be a one month hiatus in his podcast The history of Denmark (feed). No need to apologize, Søren ; what is a month? I have so many other podcasts in my playlist. Anyway, here is part ONE of the review.

Where in the world can we expect from a youth who has not even finished his school to supply a full fledged history podcast and in another than his native tongue? Krarup pulls it off with flying figures and fills in yet another gap in the large supply of 'The history of [this country]' podcasts. His English, although with a slight accent, is fluent; his writing is perfect; his presentation very professional, his structure is a straightforward chronological telling of Danish history - everything is in the right place and done properly. Speaking of language: there are a large number of German names in his history so far, and these he pronounces with a flawless German accent. I am extremely sensitive to language, so this is a sheer delight.

A lot of my readers are history podcasters and would be history podcasters and I would like to point to Krarup's work as an example. I was raving about Zack Twamley (When dimplomacy fails) the other day as the exemplary history podcaster of this day and age, but his may be a tough standard to emulate. So I would suggest to begin by looking at The History of Denmark in order to get a good view of the basics - this is what you have to get right. And as for the readers of my blog who are interested in Denmark, we have enough to recommend the podcast. Follow the URL, subscribe and take it all in.

In my earlier blogging days I would have stopped at this point, but now I wish to share my thoughts on how to get it to the next level. And this is meant generally. Every podcaster should make these considerations, and if I apply it to The History of Denmark, then that is a concrete example and definitely no reason to say Søren Krarup is doing something wrong. If anything it is how to get it better. On to part TWO of the review.

The Jelling stone mentioning Gorm and Denmark

In the last episode Krarup happily announced he had some 400 subscribers to the podcast. After I publish my review, he will get instant exposure to another 200-2000 potential subscribers. What will convince these readers to go and subscribe? It could easily double or even triple the listener base, but what would bring my readers to spend time with Denmark, when there is also Latvia, Bulgaria, Italy, Germany, England, Japan, China and on and on? Can you expect them to be interested in Denmark? Would they subscribe simply because Denmark's history has not yet been covered in another podcast? And what if it has? Why Krarup's podcast? Actually, I wonder if the mere reason that Denmark was not covered yet in podcast could in earnest be enough reason for Krarup to make one.

The question what makes Denmark interesting can potentially be met by a wide range of answers, but it struck me that the way this podcast is structured, has one question almost pushing itself to the forefront. The country boasts to be the oldest Kingdom in the world. Krarup emphasizes with tangible pride in one of the early episodes that the current queen of Denmark is a direct descendant of Gorm the Old, who is mentioned in the runes on the 10th century Jellingstenen which is the oldest source referring to the country by its name Danmark. So we have a country here of stable continuity spanning over a 1000 years.

Continuity over such a long time is not common in history, so there is the first question: How can a small country maintain its social, linguistic and political continuity over such a long time? It has had its share of civil war, succession crises, occupation and unions with other countries, just like others, yet it stayed the same (it did, did it not?) - what explains that?

Any podcaster who embarks on a series and poses such a central question, gives purpose to the project and greater power of keeping the listeners tied in. As a matter of fact, every episode should have such a question (Like: How did Valdemar manage to win the Danish civil war and reunite the Danes?) to draw us in again and again. It certainly makes this Israeli crave for the next episode on the edge of his seat. One month waiting will be such a long time.

The world's oldest Kingdom

The alleged racism of Albert Camus

Albert Camus became my idol, when at the age of 16-17 I read The Stranger for the first time (L’Étranger - I read it in French and in Dutch). On one of the recent issues of Entitled Opinions (feed) host Robert Harrison discussed this novel with Alice Kaplan, Professor of French at Yale University: Alice Kaplan on Albert Camus and The Stranger. And from the start the discussion gave a new interpretation of the racism in The Stranger.

Albert Camus as my idol represented the ultimate personal moralism, cleansed from common hypocrisy and ideological and religious pomposity. However, soon enough my personal saint was seriously challenged in his sainthood: I read an analysis of The Stranger by Conor Cruise O'Brien. O'Brien attempted to show that The Stranger was the product of French colonialist bourgeois cultural baggage. In the novel all the French characters have names and a personalized identity. Yet all the native Algerians are 'Arabs' and Meursaults murder of an 'Arab' is a mere vehicle to bring about an unconvincing show trial which is a vehicle to show Meursaults sanctity of the Camusian kind, yet indifferently ignores the cruelties towards the Arabs in the book to which Meursault shows no protest, judgment or even regret. In short, the Arabs are treated as the subhuman the French colonial was used to treat them and hence the writer and his book are marred by inherent racism. My hero was markedly tainted now; I would not want to give up on him and kept on reading and studying his work, yet O'Brien's harsh criticism was impossible to overlook.

Alice Kaplan turns the issue completely around. She claims that Camus saw his society for what it was and as a court reporter was acutely aware that a case such as Meursault's would be treated as the murder of 'an Arab'. Hence, in her view, Camus' use of the French colonialist language and point of view is deliberate and entails among others a critical view on the inherent racism of his environment. I find it partly convincing for two reasons. For one it fits in with the naturalistic style of The Stranger which meticulously describes Meursault's world as it is, without making it grimmer or prettier and carefully abstaining from all judgment. Secondly, it fits in with Camus' independent moralism as expressed also in his later work. Listen and judge for yourself; as for me, as reluctant as I ever was to take in O'Brien's criticism I still feel that something holds.

The point where it holds connects with my personal experience, today, here in Israel, but also previously, when I still lived in The Netherlands. You see, it has always struck me that even the most politically correct people, those that reject racism wherever they see it and choose the side of the oppressed, they still talk of the oppressed in those generalizing terms. In the society where ethnic identity has such deep implications, even if you are totally against it, you are stuck with a language and public discourse that is drawn along the lines of ethnic categorization and profiling. It means that only if The Stranger would not be written in French and not be set in Algeria in the 1940's the novel would have a beginning of a chance to get away with this kind of inherent racism. It would no longer be The Stranger and would no longer be by Camus. So we will have to live with the criticism no matter what.

More Camus on the blog:
Entitled Opinions (2009),
In Our Time (2008),
In Our Time (2009),
The Partially Examined Life (2011),
Philosophy Bites (2008),
Philosophy Bites (2009).

Indus Valley Civilization - the missing link

As I already wrote in my post about Ancient History podcasts, I am always on the lookout for new podcast episodes that deal with the Indus Valley Civilization. Little is known about this civ and nothing beats a good mystery, but there is more than just this vague general curiosity.

I was first alerted to the Indus Valley Civ (IVC) by an old history podcast David Kalivas World History podcast, that dates from 2005 and podfaded between 2007 and 2010. David Kalivas not only pointed out what makes the Indus Valley Civ so fascinating in itself: its not yet deciphered script, its amazing stretch (far more vast that other civs), its uncommon social structure (very egalitarian possibly?), and not least of all: its disappearance. Nothing seems to be left from it. What we find nowadays in India and Pakistan are the prolonged product of the Aryans that moved into the IVC's sphere and who apparently replaced it completely. Enough titillating angles to explore in a podcast, but Kalivas taught us more.

Kalivas made a general point about how we deal with Ancient History and its civs - we generally treat them as isolated entries, but he postulated that it is far more likely that the civs interacted intensively and heavily influenced one another. It was this proposition that has inspired me since and whenever I am looking into ancient history, I am looking for those indications of communication, exchange and influence from the other civs. This influence supposedly crosses the boundaries of geography, but also of time; civs are learning and copying from other civs that they come in contact with and from civs that have come before them and from which they inherit in one way or another.

Since the famous seals from the IVC were found as far away as Mesopotamia, Egypt and the Arabian Penninsula, we know there was contact, but since we know so little, we cannot identify what the recipients got from IVC. Similarly, we know that Aryans came after the IVC and we know them a lot better from the writings that are the basis of Hindu culture today, but what remains of the IVC in the Indus world of today? Did the Aryans learn some of their stuff from IVC, or copied it, or if not that, as they were driving the old people out, did they push them into south India and give us the Dravidian languages? A lot of possibilities, but little concrete evidence.

Recently I found two more podcast episodes with an angle on the IVC. The first was an issue of The Maritime History podcast (feed): Harappa and the Erythraean Sea. The perspective of this podcast as the title indicates, is to relate sea-faring in history. This particular episode is to discuss the sea-faring in the Arabian sea in Ancient Times. What we learn is that this early in history (3rd milennium BCE), people managed to exploit the monsoon winds and their regular cycle. We also learn that this can be understood from Egyptian and Babylonian sources. The sources sum up the various products that can be had in the various ports on the opposite ends of the monsoon region, but also detailed pointers from sailors how and when the monsoon wind can be used to sail to the other side and how the coast can be recognized and should be navigated. The podcasts proceeds to describe what we already knew about the IVC, when and where it blossomed and that it traded with Egypt and Mesopotamia, probably through middle men. The archaeology of this civ is relatively new, and for example there are no finds of ships or shipping material, but since the archaeology is so new, we may be getting significant new insights in the near future. And so, the podcast follows the assumption that we already adopted, that there was intensive trade, yet it emphasizes there is still not that much evidence. Consequently, with the likely exchange still not entirely proven, it is still too early to suggest ideas of how the IVC got influenced and how it influenced others. So not many new ideas but a valuable addition on the technicalities of seafaring in those days in that area.

The second was an issue in the German podcast Hoaxilla - Der skeptische Podcast aus Hamburg (feed): Mohenjo Daro. This podcast digs into the question of how the IVC could so suddenly disappear without much trace. And the reason for this podcast, that is for skeptics and not necessarily for history lovers, to take on the subject, is because they try to debunk the claim that Mohenjo Daro was wiped out by a prehistoric atomic bomb. The debunking of such a preposterous theory is obviously very easy and harrdly noteworthy if the podcast had stopped there, but the real interesting part is where they discuss what would be a more convincing theory to explain the rather rapid decline of the IVC (not just in the Mohenjo Daro area but also at Harappa and elsewhere). Here we are presented with some good possible answers to this very central question. The best contribution in my opinion is that not only does the podcast point out that more reasonable theories are better founded in the available data and therefore more convincing, but they also make the truly scientific point that in history circles is less often brought up: what makes a theory a good theory is that it offers more explanation embedded in more of the available data than what competing or previous theories did. Not necessarily because it will more likely turn out to be true, but it is more interesting and has more propelling power for the study in the field.

Anne is a Man - resuming the blog

Between the heydays of this blog, 2009, 2010, and today, podcast has taken on a flight, history podcast in particular. There was a dip in the middle though. When I gradually lost interest in reviewing podcasts, the best amateur podcasts were fading and around 2012, I really thought that podcast was about to be co-opted by the big institutes. For example I was thinking of the BBC, which is still a prolific producer of great podcasts. It was then I felt I began repeating myself and was no longer serving as a hub for finding new podcasts, especially history podcasts. Exit Anne is a Man.

Anne the Man

Today as I return to reviewing (history) podcast, I find that there is a new generation of amateur podcasts and this new generation consists of a broader base of producers, covers more eras and subjects in history, produces much better audio quality and has also introduced additional standards for the content. The most outstanding example of this new generation of improved history podcasts I am thinking of is the podcast I reviewed a month ago: When diplomacy Fails. For this first time I have even reviewed the podcast on iTunes - something that was technically impossible in 2010.

With my blog in 2010, I was hoping to contribute to the podcasting community; bring the producers and the listeners together and instill cooperation between the podcasters. Today, with the history podcast group on Facebook and collaborations such as the Agora Podcasting Network others have established this already. Therefore, as Anne is a Man - podcast reviews returns to the blogosphere, the old formula seems no longer valid. The reviews as I did them then, should go to iTunes. The community building has been done by others. New content can more easily be found elsewhere than here.

I never stopped listening to history podcasts, as a matter of fact, the new generation of history podcasts makes my playlist longer than ever. I also never stopped telling my friends about podcast finds - off the record I kept on reviewing. I still love to do that, but I can no more cover it all. And there is no need as others already do that. I used to generally characterize the podcast and point out what was good about it. It had an objective generality to it. Now I figure this is more or less covered by others and my contribution should be more specific: why did I choose to listen to this podcast and what did I take away from it?

Why are we interested in history? There are some questions we seek to answer; something that ultimately should shed light on what we seek to understand - mostly in the present. For me, this is the case and invariably I keep listening to history podcasts with this agenda. And whenever I want to write about a podcast series or episode it is because this search was somehow met with a refreshing response, be it answers, be it new questions.

For example, I have always been puzzled by the golden age of The Netherlands; how could such a small region successfully rebel against the Spanish powerhouse and develop into a major power during the 17th century? In When Diplomacy Fails, there are episodes about the Dutch Revolt, about the Thirty Years War and about the Anglo-Dutch wars that supply some of the answers. I guess I should rewrite that review now...