Horror is a genre of effect, or at least that is the way I see it. It really doesn't matter too much how the effect of horror is established, certainly not whether it is logical or believable in any way. When it works, it is good horror. Emerian's novel does exactly that: it works the effects. To the extent I have listened to it, this much I can say: the story stands in its genre. Should you like it, it may well serve your taste.Take for example the main character Jespa. She is a young girl living in San Francisco, working in a bar, being cheated upon by her boyfriend (and her best friend - of course) and she looks for a place to stay other than home. A place to 'crash' obviously. The atmosphere reminds me of Shadowrun roleplay, gritty, sleazy urban society. The sexual morality reminds me of Pohl's Gateway: bi-sexual across the board - and sex is a major issue. Jespa is walking sex, she is supposed to drive everybody's hormones crazy ("man or woman, from age 5 to 95"), yet she is cheated upon. And yet, she couldn't stand to be without a partner for the night. It really doesn't matter how coherent this is, it works like hell. Gritty, sleazy, down and out, that is where Jespa is at. The effect is completed with the music that is mixed in. The chorus is a hefty beat going: 'run, run, go and get yer gun' - which takes on very different meaning among the various scenes.
Here is the scene where vampires can appear and what have you. I trust it goes on just as well. The fact that I was not looking for this effect does not make it bad. As far as I can see it, it is well done, it sticks to the genre, it sticks to its tone, it rides at the proper pace. This is a podcast that does aptly what it promises to do.
More narration and fiction podcasts:
New World Orders,
Namaste Stories,
Forgotten Classics,
Celtic Myth Podshow.
